9. E-Textiles and Wearables II#
What I Made#
Soft circuit from materials from my mum’s old embroidery box with touch sensor on the top and press sensor on the right.
A Treasure Box from my Mum’s Attic#
This summer my mum gave me a few of her old storage boxes with embroidery materials. She was clearing out the attic. The boxes must have been left unopened for probably more than 15 years. It was a mess inside. When I started to sort the materials out on Tuesday (finding also a lot of my old beadworks and other things I made as a teenager) I discovered that the threads my mother used for her ‘gold embroidery’ (‘goudwerk’ in Dutch) are in fact conductive. This made me so happy! What an unexpected surprise from the past. I decided to use the materials for part one of this week’s assignment (making an electrical circuit) because they were all small bits and pieces, sort of ‘orphaned things’, I would say. For example there were squished pink and purple circles cut from satin, God only knows why my mother made those and what she wanted to make from them (and why she didn’t use them). I felt sorry for these sad bits of fabrics, and for the stillborn ideas of so long ago. I figured that if I would not use these materials now, nobody would use them ever. So that is why all of the materials in my soft circuit - apart from the ATtiny, the LEDs, the resistor, the battery and some small pieces of copper thread - are from the old embroidery box of my mum’s. I even used regular threads and needles (bend - because of ageing?) from the box. They are not my choice of colors, not my choice of fabrics and not my choice of haberdashery and I was very much surprised by what they turned out to be.
Mainly Troubleshooting (again)#
But the process… One thing that has become crystal clear to me is that working with electricity and microprocessors means NEEDING MORE TIME THAN YOU THINK AND PLEASE DOUBLE THE TIME YOU THINK YOU NEED AND ADD AT LEAST TWO TO FOUR DAYS TO THAT. I have worked with Arduino before in my practice as a media artist, but then I always had a programmer, technician or friend to help me out. Believe me: that is not the same. I think I did not learn very much during that time. I just ‘outsourced’ the troublesome technology-stuff. Which is sort of understandable, for it is complicated to work with interactive media and electronics, and scary too because you never know what is going wrong, and if it is you who’s stupid or the materials that are faulty. So for this week’s assignment I told myself I needed to bite the bullet and do everything myself, including the tedious and frustrating troubleshooting. So said and done. It took me over 40 hours to produce the soft circuit above but I solved all problems myself. It has been a collosal boost to my self-esteem. To know that you are able to find solutions and can make something to work out, gives a lot of confidence. I would recommend everyone to do the same. Take a full week and go for it. (I must admit I made a Björn Borg winning-his-fifth-Wimbledon-victory knee fall when the circuit turned out to work indeed, right there in the middle of the Amsterdam fablab.)
The ATtiny is so tiny that it cannot even be in focus.
Adafruit Neopixels. Before you can program them with Arduino you need to download the Adafruit Neopixel library to be included in the ‘examples’ section of the dropdown menu ‘files’. For this you need to go to the dropdown menu ‘sketch’ > include library > manage library > search > install.
Copy in Order to Study and Learn#
One of my favourite teachers in artschool famously said: ‘Copy to study and learn.’ She was convinced that personal style and unique ‘handwriting’ is already present in every person. It needs no ‘kindling’. However copying the work of artists one admires teaches you a more valuable lesson, namely, the tricks of the trade. It also relaxes you into the work since the focus is on the what and how and not on the why, the much dreaded and stiffling question for starting artists. I guess this teacher was a fan of the ‘guilder’s system’ to learn by example. For this assignment I decided to take her advice at heart and do just that: copy a soft circuit given and explained by Liza Stark (who I admire) and consider her workshop as my trail of breadcrumbs through the woods. I also used Emma Pareschi’s very good electronics workshop as reference.
Test, Test Again, Test Better#
Ofcourse nothing worked the first time. Ofcourse I wasn’t able to install the ATtiny on my computer at home. Ofcourse the breadboard made no sense. Ofcourse the LEDs kept their secrets of polarity. In the end, just when I was ready to give up, I re-installed the Arduino software and started from scratch. Step by step and hour by hour I discovered what I was doing wrong and how I could do it right. And then I tested, tested again and tested better. Test the circuit on the breadboard. Test the circuit with just the ATtiny an a battery on the breadboard. If I had had more time, I would probably even have tested a circuit made from loose threads on the fabric. When all was oke, I sewed the circuit on the fabric using the conductive materials from my mum’s old embroidery box. This turned out to be rather difficult. The ‘gold’ threads were not made for the kind of fabric I used (a patch of silk with a kind of pocket on it - weird? - also from the box) because the metal was wrapped around a silk core. I used cringe beads to be able to secure the ATtiny, but they turned out to be too bulky and ugly, so I removed them and sewed the ATting directly on the fabric. I decided that two sensors were enough (the example gave three). I made a touch sensor from two metal buttons (made from a kind of bronze, I suspect) and I made a pressure sensor.
Test on the breadboard with Arduino, test on the breadboard without Arduino.
Working with the phantastic magnifying glass in the fablab: I want to get me one of those…
The Soft Circuit#
From an ATtiny workshop by Liza Stark.
Code for the ATtiny in the Soft Circuit#
/*
* ATtiny Soft and Touch Sensor Circuit
* February 18, 2017
* Liza Stark
*
* Textile Academy Bootcamp
* More info at softcircuiteer.net/bcn-attiny-workshop
*
* Adapted from Dave Mellis' ATtiny touch sketch
* http://highlowtech.org/?p=1653
*
*/
// attiny85/45
// reset -+---+- power
// (touch LED) pin 3 -+* +- pin A1 (reads sensor)
// (reads touch) pb4 -+ +- pb1 (fading while touching)
// ground -+---+- pb0
int fadepin = 1; // the LED that fades when reading sensor values
int togglepin = 3; // the led that's toggled when you touch the input pin
int sensorpin = A1; // attach your sensor here
int sensorValue = 0; // variable to store the value coming from the sensor
int newSensorValue;
int calibration = 0;
int previous;
int randomval = 0;
int fadeval = 0, fadestep = 1;
int togglestate = LOW;
void setup()
{
pinMode(fadepin, OUTPUT);
pinMode(togglepin, OUTPUT);
pinMode(sensorpin, INPUT);
delay(100);
for (int i = 0; i < 8; i++) {
calibration += chargeTime(PB4);
delay(20);
}
calibration = (calibration + 4) / 8;
}
void loop()
{
//TOUCH
// read sensor value from touch sensor
int n = chargeTime(PB4);
if (previous <= calibration && n > calibration) {
if (togglestate == LOW) togglestate = HIGH;
else togglestate = LOW;
digitalWrite(togglepin, togglestate);
}
previous = n;
delayMicroseconds(500);
// SENSOR
// read the value from the sensor:
sensorValue = analogRead(sensorpin);
//map the values to something usable
//map(value, fromLow, fromHigh, toLow, toHigh)
newSensorValue = map(sensorValue, 0, 1023, 0, 255);
//write the new value to the LED
analogWrite(fadepin, newSensorValue);
}
byte chargeTime(byte pin)
{
byte mask = (1 << pin);
byte i;
DDRB &= ~mask; // input
PORTB |= mask; // pull-up on
for (i = 0; i < 16; i++) {
if (PINB & mask) break;
}
PORTB &= ~mask; // pull-up off
DDRB |= mask; // discharge
return i;
}
IMPORTANT! When you want to use the original Arduino Board after having used the AT Tiny, you need to reset the programmer to AVRISP MKLL.
Note to Self#
- Wearable electronics are amazing and really seductive. I love them. Also I find they are a bit upsetting. Can the body be excused from electronic interaction once in while? So I am in two minds about incorporating electronics and computing in textiles. Love the effects and possibilities. Hate the surrender to ‘the internet of things’. Need to think of usage and ethics.
- I would love to use electronics and computing as a way to intensify and compliment the body, not to enhance, augment, extend or replace it when it is healthy. Also I would like to stay far from incorporating social media en communication technology as wearables because I find ‘totalitarian connectedness’ problematic and dangerous for the autonomous mind. I think people need solitude and stillness as much as sleep. Also I think it is important that people know how to trust their own senses and sometimes enjoy time being offline and offcity.
- As I am documenting this, the Dutch government just put forward legislation to prohibit the wearing of burka’s in the public space. There are perhaps a hundred women in The Netherlands who choose to wear a burka (on a population of 17 million), so the new law is a higly politiced statement of a rightwing populist government. I do think the law is troublesome, though, but for another reason. This new law literally forbids people to wear ‘face covering’ garments and helmets. With a growing number of open air surveillance camera’s that perform face recognition, I feel that this new law mainly jeopardizes the right to privacy and anonymity. Perhaps wearables can be a way to make activist statements against this development? By the way: I almost feel like creating an ‘electric burka’ just to support those women who want to wear a burka because they believe in its meaning. Did you see the movie ‘The Electric Horseman’ with Robert Redford?
References and Inspiration#
- The Tell Tale Quilt by Liza Stark
- Electronic quilt
- Electronic quilt from SparkFun
- The same on its own webpage
- Interactive baby playquilt on Instructables
- E-textiles as speculative storytelling
- Martijn ten Bhömer
- Martijn ten Bhömer: Vibrating cushion
- Kristi Kuusk: AR quilts
- Kristi Kuusk’s PHD thesis ‘Crafting sustainable smart textile services’
Lifesavers#
A Wonderful Wearable Manifesto#
- Can I just say that this Wearable Manifesto feels like a homecoming for me.
- I really could not agree more.
- So thanks softRESISTANCE focus group!
Our wearable MANIFESTO
DIVERSITY
“plurafunctionality”
inclusiveness, accessibility, empathy
a willingness to engage with everyone
open to different ways of doing things
our design is simple to understand, copy and customize
there is no exact copy, every one is different and all of them belong
CARE
we care about our environment, we notice what remains
our design produces zero waste
SHARE
knowledge is power
transparent design spreads power evenly among those who can see
open source, knowledge sharing….
COMMUNITY
as individuals we crave community
EVER CHANGING
our design evolves every time somebody remakes it
we do not resist change, we do not conserve energy, we expend it to fuel
everything changes and nothing stands still (Heraclitus)
copy-improve-feedback
ALTERNATIVES
stay flexible
use of materials so they could be sourced locally
WICKED PROBLEMS
capacitive sensing on the body is a wicked problem
dealing with complex power structures (Google’s “Project Jaquard”)
STAY WEIRD
not everything has to have a reason
defy disciplines, standards, authority, boxes
resist being cornered
humor, self reflection, inner resistance, resistance to my inner resistance, and other convoluted inner knotted manifold problems…
Created by the softRESISTANCE focus group:
Admar Schoonen
Beam
Celine Marcq
Hannah Perner-Wilson
Lara Grant
Liza Stark
Rachel Freire
Zoe Romano
Last but not Least#
Very happy to see some of my mum’s old beads go into the ‘Wenduino’, the prototype for a soft microprocessor by classmate Wendy Neale.