S I N, B꙳ F꙳C꙳ | ALEKSANDRA PIOTROWSKA.¶
WHO
¶who am i?
Thesis: Fabricating Beyond Sustainability: Regenerative Business Models and Collaboration in the 3D Printing Fashion and Textiles Industry.
When in doubt, remember that in a few months you will make yourself so proud, and no matter how unrealistic it seems, it's going to happen.
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WHAT
¶what is SIN, B꙳ F꙳C꙳?
It's a lab that works on the intersection of SINtetic Biology + FashionteCh, and a movement of unapologetic innovation. It carries a hidden meaning: SIN, B꙳꙳꙳꙳ F꙳꙳꙳, which comes from a slogan:
SIN like a saint, act like a boss B꙳꙳꙳꙳, and F꙳꙳꙳ the system 'till it breaks, because innovation never comes from playing it safe.
SIN, B꙳ F꙳C꙳ will ensure that innovation comes with attitude.
I came up with the idea of SIN, B꙳ F꙳C꙳ LAB in my second week of Fabricademy. The idea is to create a lab that will not only focus on research but also offer workshops, consultations, and collaborative projects aimed at helping designers, innovators, and companies shift towards regenerative practices. Whether it’s designing with biomaterials, diving into the world of bioprinting or growing design, this space is where provocative innovation meets conscious design, challenging norms in the fashion industry and beyond.
Think of it as a regenerative playground, where fashion, biology, and tech get remixed into provocative, groundbreaking concepts. This is where cutting-edge innovation challenges the status quo, pushing the boundaries of what’s possible in regenerative design.
what are my previous projects?
(´•‿•`) thesis
My thesis' research analysed the holistic exploration of the intersection of three fields: 3D printing (3DP) in the fashion and textiles industry , sustainable practices, and regenerative business models (RBMs) . It gave me a strategic framework for harmonising the 3DP fashion industry with regenerative principles.
RAW (Regenerative Assessment Wheel) is a framework developed during this research to offer a comprehensive approach for implementing RBMs in the 3DP fashion and textiles industry. Organisations and individuals can strategically plan their regenerative journey by considering design, culture, and being.
This research focused on the sustainable transformation in the 3DP fashion and textiles industry and urges stakeholders to adopt innovation, collaboration, and strategic change management.
(´•‿•`) 3d printed bag
My first-ever 3D printed project was an experimental bag made from TPU. I really wanted to 3D print something for my graduation. Without running any prior print tests, or knowing what to do and how to use the printer, I started a quick research. Read about the slicer settings for approximately 2h and started printing, hoping for the best. This bag marks the beginning of my journey into fashion + tech experimentation. The experience taught me to trust the process, take risks, and push the boundaries of design, tech and mostly myself.
I chose TPU for this project after discussing it with other 3D printing designers, who recommended it as the easiest material to start with, especially with my Artillery Sidewinder 2 printer. While TPU isn't the most sustainable option, my bio-conscious heart cried a little at the choice.
But that's exactly why I'm here at Fabricademy: to experiment, learn from the experts, and push my skills forward. By the end of the course, my goal is to create my own biomaterials and 3D print with materials that not only are functional but also regenerative.
what will i be working on?
I’ll be focusing on the intersection of biomaterials, bioprinting, and regenerative design, and how they can be used for 3D printing in fashion and textiles.
My project will dive deep into how these biomaterials can be transformed into regenerative fabrics through bioprinting and growing design techniques. By combining 3D printing technology with traditional weaving methods, I hope to create innovative, eco-friendly and edgy designs that not only reduce waste but actively contribute to the regeneration of ecosystems. Because saving the planet is the only trend we should follow.
what biomaterials could i focus on?
- 𖡎 mycelium (fungi)
- 𖡎 algae
- 𖡎 kombucha
- 𖡎 spider silk
- 𖡎 seaweed
- 𖡎 orange peel
- 𖡎 potato peel
- 𖡎 grapes waste from wine production
WHEN
¶when will things take shape?
This year is all about momentum.
early weeks: Experimentation mode ON. I’ll be diving into the lab with wild ideas, testing the limits of biomaterials like mycelium, algae, and kombucha, and figuring out how they can come alive through 3D printing. This is where things start to get messy.
mid-course: By now, I’ll have some breakthroughs (and failures, which are equally important). It’s the perfect time to refine those raw experiments and start pushing them into tangible prototypes. Weaving these materials with tradition and tech to create something no new. It's time to find a deeper reason for what I'm doing and maybe shift direction.
final: The vision becomes reality. This is where I’ll take everything I’ve learned and elevate it. By the end of the year, I’ll have crafted something that isn’t just a project—it’s a statement. A disruptive, regenerative piece (maybe?) that redefines what fashion can do for the planet.
WHERE
¶In Barcelona, at Fabricademy, where I’ll be surrounded by a diverse community of experts and creators who challenge conventional thinking.
WHY
¶why fabricademy?
Fabricademy is the perfect place for me because it sits at the intersection of fashion, technology, and biology, exactly where I want my work to thrive. Unlike traditional fashion programs, Fabricademy focuses on hands-on experimentation, where I can push the boundaries of biomaterials, digital fabrication, and regenerative design. It’s a place where innovation is encouraged, failure is seen as part of the process, and collaboration with a global community of thinkers, makers, and scientists is at the core.
why this topic?
Fashion industry stands as a paradox and a ‘wicked problem’ as society increasingly prioritises sustainability juxtaposed with rising ‘throwaway culture’. By integrating biomaterial inventions, 3D printing and adopting regenerative design, the fashion industry can shift from merely reducing harm to actively restoring ecosystems. This approach fosters not just sustainable, but regenerative growth, creating a future where fashion supports both the planet and the people who live on it.
Good luck on your fab journey! ☆.𓋼𓍊 𓆏