7. BioFabricating Materials

Biomaterials have emerged as one of the most promising areas of research in applied sciences, not only in the field of medicine but also in innovative sectors such as the fashion industry. Traditionally, biomaterials have been associated with their use in healthcare, where their ability to interact favorably with human tissues has led to significant advances in the treatment and rehabilitation of various diseases. However, in recent years, their application has transcended the boundaries of biomedicine and found a fertile ground in the design of textile products and accessories, driving a new era of sustainable and innovative fashion.

APPLICATIONS

Famous people (In spanish)

LOANA FLORES
Loana Flores, creator of Ocloya Studio is a clothing designer graduated from the University of Buenos Aires with a postgraduate degree in the sociology of design and different training in sustainability and technologies applied to fashion.

You can follow her work on Instagram

Great projects

Rootfull is a pioneering bio-design project exploring the binding properties of root and aiming to grow memorable artefacts across fashion, art and design that question our material choices and inspire sustainable solutions.

CRAFTED MATERIALS

These are materials that are traditionally created through human intervention, often by shaping or manipulating natural resources or synthetic substances. The key feature of craft materials is that they are processed or manufactured to meet specific needs or aesthetic preferences. Craft materials typically involve a significant amount of labor, skill, and manual effort in their production.

COFFEE BIOMATERIAL

GROWN MATERIALS

Grown materials are biologically cultivated or harvested rather than manufactured. These materials are often created using living organisms, and the process relies on natural biological processes for growth, rather than human fabrication. The growing of these materials is inspired by the ways organisms in nature produce substances, like how trees grow wood or how fungi can form structures like mycelium.

KOMBUCHA

I will create a biomaterial using Kombucha culture as the base, a fermented beverage made from tea, sugar, and a colony of bacteria and yeast. The process involves the formation of a dense 'film' known as SCOBY (Symbiotic Culture of Bacteria and Yeast), which is used as the main component of the biomaterial. This material has biodegradable properties and potential applications in areas such as fashion, medicine, and sustainable packaging.

Materials

• Kombucha (can be purchased or homemade, preferably with an active SCOBY).
  
• Tea (black or green).
  
• Vinegar
  
• Sugar (white or brown).
  
• Filtered water.
  
• Large glass container (preferably at least 3-5 liters).
  
• Cloths or filters (to separate the SCOBY).
  
• Latex gloves (optional, for handling the SCOBY).
  

Recommendations and Precautions

Hygiene	Keep all equipment and surfaces clean to avoid contamination of the SCOBY with unwanted fungi or bacteria.
Temperature	Make sure the fermentation environment is between 20-30°C (68-86°F), as very high or low temperatures can affect the process.
Use of Non-contaminating Materials	Avoid using plastic utensils or non-food-safe materials, as they can alter the pH of the Kombucha and affect the formation of the biomaterial.
Durability Testing	If the biomaterial will be used for practical applications (e.g., fashion or packaging), test its water resistance, flexibility, and durability to ensure it meets project expectations
Sustainability	The Kombucha used should be organic to ensure that the biomaterial is fully biodegradable and does not contain chemicals or pesticides.

Tea Preparation

To begin, I made a small cloth bag with 170 grams of green tea, which helps prevent any residue from remaining in the mixture. (5 to 6 grams of tea x liter of water).
- In a pot, we boiled 5 liters of water along with the tea bag and let it infuse for about 20 minutes.
- Once the solution was concentrated, we removed the tea bag and squeezed it to ensure the maximum amount of infusion stayed in the pot.

• We measured the remaining amount of infusion using a measuring jug and added 13% vinegar of the total solution (30 liters x 0.13), and topped it up with room-temperature water until we reached 30 liters.
  NOTE: It's important not to inoculate the solution when it's hot, as the bacteria could die.
  
• Once the solution was complete, we added sugar (114 grams per liter) and stirred the mixture until it was fully dissolved, ready to add the bacteria (SCOBY).
  
• We covered the mixture with a clean cloth and sealed it with an elastic band to transport it to a space with high and constant temperature. In our case, we opted for the university's greenhouse.

Kombucha Fermentation

The fermentation process is slow, but you have to be very careful because if the SCOBY doesn’t grow, it means something is wrong with the solution or the bacteria died during the process.

• Once we saw that the SCOBY had grown to about one centimeter thick, we decided to remove it for processing. So, we placed it in another container and to eliminate the characteristic fermented smell, we purified it.
  

• To purify the material, it must be washed 2 or 3 times in a solution of water with 3% chlorine. (Washing means leaving it in the water for a couple of hours and changing the water until the smell has diminished.)
  

Preparing the Biomaterial

• Once we purified the material, we washed it with water and proceeded to process it according to our creative vision. In my case, I decided to use organic pigments to change the color of the material.

• I cut the material with a knife and divided it into 3 equal parts so that it could be blended using a kitchen blender.
  NOTE: The material is very fibrous, so you need to add water to blend it more easily, though I think a food processor would be a better option since the blender creates a sort of vacuum between the blades and the jar, which prevents the material from being properly shredded.

• We poured the material into frames typically used in screen printing to help it dry more easily. However, it’s important to consider that if we blended the material with water, the mixture would be more hydrated, so it will take longer to dry.
  

• That’s why we used a dryer from the chemical processes laboratory, which helped speed up the drying process. In this case, we left the material for a full day at a temperature of 45°C.

The final result was quite interesting because when the material loses the water it contained, its structure and thickness change significantly.

• The mixture with spirulina was so fine that when it dried, its texture was similar to paper, but the color was uniform and translucent.
  
• The mixture with turmeric turned out to be more resistant because it wasn’t finely ground, but its texture became quite wrinkled, and the color concentrated in the small gaps, which caused it to turn a brownish hue.

Color change test

The biggest surprise came from the experiment I did with thermochromic pigment, which suffered a small accident on the frame. However, the little bit I was able to salvage allowed me to observe how the material reacted to temperature. In this case, I used a pigment that changed color from blue to pink with heat. It’s amazing.