Process¶

Ideation & sketches¶

I started by making a body map for myself, tracing traces, emotions and memories that find their places onto my body.

Mapping on my body serves as a tool to identifiel emotional residues a build a self-archive.

Installation Overview¶

The project takes the form of an art installation.

At the centre, there’s the bodysuit embedded with a touch sensor. Around it, I intend to expand the narrative space of the installation through the creation of tokens: small objects that will represent an emotional memory.

Mapping¶

I decided to focus on 2 areas to design a wearable that translates emotional memories into material and form. Emotional memory can be defined as the ability to recall past events to which strong emotional response is tied to.

Area: hands and feet
Emotional memory: grief, loss in childhood, family

Between the age 3 and 5, children start to be interested by and aware of death, even though they cannot yet comprehend its persistance. When grevieng, they might end up asking a lot of and repetitive questions to try to understand what has happened and where there person has gone. They can also experience anxiety, speech regression and feelings of hopelessness and helplessness towards the grieving adults aorund them.

- Area: hair - Emotional memory: femininity, distance, heritage

Hair is a carrier of ancestry and memory. I look at the hair of my mother, of my grandmother and I see mine. It's a symbol of power, sensitivity and it acts as a bridge between me and my ancestry. As I move further away from home, I feel like my hair is something that keeps me connected.

How can a wearbale be an embodied archive?

Biomaterials¶

I chose biomaterials because they share key characteristics with memory and emotion: they are fragile, layered, reactive, composite, and they change over time.

Conductive Biomaterils¶

Here you can find some of the testing I did. I started experimenting with agar agar but the results where not quite what I wanted

Agar

Ingedirents		Materiom
Agar	8 gr	2 gr
Glycerine	24 gr	1 ml
Water	400 gr	210 ml
Salt		5 gr

Alginate

Ingredients
	basic	Charcoal	Graphite	Magnetite
Alginate	12 gr (liquid)	“	"	"
Glycerine	20 gr	“	"	"
Water	400 ml	“	"	"
Salt	5 gr	“	"	"
Oil	10 gr	“	"	"
Charcoal		10-15 gr*
Graphite			12 gr*
Magnetite				12-15 gr**

Notes *After preparing the alginate solution I divided it in 3 parts and added chrcoal, Graphite and magnetite: 120 gr + 10 gr of graphite, 120 + 7/8 gr of activated charcoal, 130 gr + 7/8 gr graphite ** I prepared a recipe adapted to 200 ml of water of solution and added 12gr of magnetite in one half and 15 gr in the pther half

Arduino IDE¶

I used a simple circuit of a ESP32S3, a red LED and a resistor to test the conductive biomaterials. It works!

define TOUCH_PIN 4          
#define LED_PIN_NUMBER 5     

const int VALUE_THRESHOLD = 45000;

void setup() {
  Serial.begin(115200);
  while (!Serial);

  pinMode(LED_PIN_NUMBER, OUTPUT);
  Serial.println("Touch");
}

void loop() {
  int touchValue = touchRead(TOUCH_PIN);
  Serial.println(touchValue);

  if (touchValue < VALUE_THRESHOLD) {
    digitalWrite(LED_PIN_NUMBER, HIGH);
  } else {
    digitalWrite(LED_PIN_NUMBER, LOW);
  }

  delay(100);
}

Alginate and Fruit Peel

Then I moved to experimenting with alginate. As the biomaterials needs a substrate in order to be stitched into a body suit. I tried adding crochet pieces, fabric and cotton fiber.

I also tried creating a mould with clay to reproduce a crochet pattern

I found this recipe Fab Lab Barcelona Making Bioplastic from Orange Peel - REMIX EL BARRIO. I adapted it to use apple peels, which are widely grown in the Netherlands. I added extra glycerin, citric acid, essential oils, and sodium alginate for several reasons:

Apple peel is less fibrous and less acidic than orange peel, so these adjustments are intended to improve the material’s durability and flexibility.

Ingredients	Oranges	Apple
20g wool fiber	—	—
5L water	5L	5L
peel	120 g	150-169 g
Calcium Chloride
sodium alginate	125 g	140–150 g
glycerin	421 g	450 g glycerin
(coconut) oil	56 g	70 g
citric acid		5–8 cirtric acid
essential oil		3–6 (lavander)

Substrate¶

After a conversation with Cecilia, we decided to use a streatchy fabric in both directions as a substrate for the biomaterial. Without it, it would be really hard to see. I got some that resembles my skin colour.

Moulds¶

So I have built a few frames based on the size of some pannels that Waag had remaining from old events. I simply screwed together for pieces of wood to create a frame. I sprayed a sodium chloride solution on the botton side and then pinned the fabric to the side of the panel in order to give some tension. With the help of someone else, I made sure that the fabric did not touch the botton while placing it so it would not get in contact with the sodium chloride solution.

Tokens¶

The tokens represent embodied emotional memories drawn from my personal experience. I focus on two areas of the body: hair, and hands and feet.

Hair relates to ancestry, belonging, and family. When I look at my hair, I see my mother’s and my grandmother’s hair. For this token, I will use a small loom holding a woven piece made with my own hair, collected over the past 2 months. This connects to my mother’s wedding kit, which she recently shared with me. The wedding kit speaks about inheritance and participation, and this token reflects on belonging,, continuity and family

The second token focuses on hands and feet, and on the absence left by my father’s passing. I do not remember him, but my body holds this memory, as my mother says: my hands and feet look like his. This token is approached playfully: soft materials and bright colours make the empty space left by my father's hand tangible.

Interactions¶

The main input is touch, as it happens on and through the body. Touch sensors embedded in the bodysuit trigger short texts displayed on a small, portable screen, encouraging reflection on bodily awareness

Touching the tokens triggers local audio responses (and may also activate light feedback on corresponding areas of the bodysuit)

Here you can find my circuits' layout.

Audio Output¶

PartsSoftware

* DFPlayer Mini MP3 Player Modul
* Speaker 8ohm, 2-3W
* Micro SD

Cables

Arduino IDE

ESPNOW Protocol¶

I've already worked with ESPNOW connecitons for the Open Source Hardware week. Here you can see my documentation.

Prototypes¶

prototypes are your first step towards shaping your final piece, product, material et cetera

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Mid-Term Presentaiton¶

Here you can find my mid term presentation!

Mentoring notes¶

Mentors in all sessions may share with you their comments, notes, advise, projects and technical equipment to check out. This is good place to share those, so that you can find them later on when you need them the most!

Half-fabrication files¶

Test file: 3d modelling test ↩

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