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Process: Material Research

About sound

The acoustics industry uses materials such as ;;;. These materials are not biodegradable. Wool has proved to have acoustic properties due to the fiber's natural porous composition. The Thones & Marthod breed specifically, ____.

The absorption of sound by panels can be affected by:

  • Wall spacing:
  • Material density:
  • Material porosity:
  • Material volumes:
  • Material surface finish:

The focus of this exploration is to find ways of using wool in combination with other biomaterials to obtain a range of finishes, behaviors, looks and techniques that can be used for acoustics and for architecture/interiors in general.

I started by defining 3 types of materials to explore recipes: bioplastics (films, sheets, flexible skins), structural additives (reinforcement, porosity), expansion/porosity materials.

Bioplastics (Film / Sheet / Flexible Skin)

  • Binders: Starches, alginate, agar, cellulose, glycerin, gum arabic
  • Behavior: Flexible or rigid depending on plasticizer. Low porosity. Good for surface-finishes. Diffuse sound rather than absorbe it.
  • Look: translucent or opaque depending on the wool to binder ratio
  • Feel: smooth or textured depending on casting moulds and wool to binder ratio.
  • Considerations: Can shrink depending on wool to binder ratio (more wool=more stability). Using the heat press after drying allows for more even surface.

  • Applications

    • Lampshades

    • Light diffusers

    • Surface skins over acoustic cores

    • Decorative wall membranes

    • Cabinet inlays

    • Temporary partition films

    • Wall covering panels

Material 1: Papery Film (success)

  • Expectations: Wool paper look and feel.
  • Outcome: A soft leathery finish when dried after a few days. Strong paper like feel after using heat press, even plastic-like when casting thicker sheets.
  • Observations: Wool density affects opacity. Heat press helps improve surface evenness, more polished. Heat press renders a dry more brittle material. A varnish could be added or brush surface with more glycerine to prevent breakage (although the texture would change from paper to plastic-like). Very interesting and versatile results.
* 40g rice starch
* 5g cellulose powder (MCC)
* 10g glycerine
* 300ml water
* 10-15g of white carded wool finely chopped.

* pots
* stove
* spatula
* scale
* molds

* Measure the ingredients (except wool) and add to a pot
* Add the liquids last and stir, use the mixer to make a paste.
* Add wool and incorporate into mixture (it helps to spray wet the wool beforehand so it's easier to integrate)
* Put on medium heat. Do not boil
* Once a sticky consistency is achieved, remove from heat.
* Pour into molds. Use a silicone spatula to spread evenly. Cast into 3mm sheets. The starch will lose volume once dried.
* Let dry for a couple of days or use dehydrator.
* Once dry you can heat press for 20s at 180C to achieve a more even surface. The heat will leave the material drier/stiffer and more brittle.

Variant 1: replace MCC celulose for CMC

Structural Additives (Reinforcement / Porosity)

  • Binders: cellulose powder (MMC, CMC), starches, alginate,agar agar.
  • Behavior: Dense. Good for structure.
  • Look: Compact.
  • Feel: Smooth edges, rougher texture.
  • Considerations: Since it has higher amomount of wool and lower water/wet binder ratio, the shrinkage is less and is a more stable material. Heavier weight.
  • Applications
    • Acoustic cores
    • Blocks
    • Insulating boards
    • Structures

Material: Agar Glass (Failed)

  • Expectations: hard brittle glass alternative (translucent).
  • Outcome: opaque material unless <1mm cast. Soft/jelly like if cast is thicker. Depending on cast thickness and wool density can also feel like a foam (thin casting, wool dense).
  • Observations: Wool density affects opacity. Super thin casts will wrinkle and shrink as they dry with a brittle paper like feel.
* 6g agar agar
* 300ml water
* 15g glycerine
* 3-5g wool (short and long fiber)

* pots
* stove
* spatula
* scale
* molds

* Measure the ingredients (except wool) and add to a pot
* Add the liquids last and stir, use the mixer to make a paste.
* Add wool and incorporate into mixture (it helps to spray wet the wool beforehand so it's easier to integrate)
* Put on medium heat. Do not boil
* Once a sticky consistency is achieved, remove from heat.
* Pour into molds immediately. 
* Let dry for a couple of days or use dehydrator.

Material: Fiber Block (Success)

  • Expectations: dense fiber structural material.
  • Outcome: dense material. Some white coloring from the starch.
  • Observations: No shrinkage due to high fiber content.Press firmly when casting to reduce air bubbles. Good for casting thicker samples. Fiber lenght affects look and feel, acoustics, density. More binder paste will "encapsulate" the fibers giving a more sleek feel but less acoustic absorption due to sealing the pores of the surface.
* 6g agar agar
* 300ml water
* 10g cellulose (MMC)
* 30g wool (short or long fiber)

* pots
* stove
* spatula
* scale
* molds

* Measure the ingredients (except wool) and add to a pot
* Add the liquids last and stir, use the mixer to make a paste.
* Add wool and incorporate into mixture (it helps to spray wet the wool beforehand so it's easier to integrate)
* Put on medium heat. Do not boil
* Once a sticky consistency is achieved, remove from heat.
* Pour into molds immediately. 
* Press firmly to reduce air bubbles.
* Let dry for a couple of days or use dehydrator.

Variation 1: +8g CMC and 30g of white wool finely chopped.

Material: Bioclay (Success)

  • Expectations: moldable clay like material.
  • Outcome: natural moldable clay with added strenght.
  • Observations: The fibers add structure and results in a harder, denser material. It is reccomended to wet the wool to make it easier to incorporate. Dry wool will make clumps in the clay. Wool can be incorporated by molding it into the paste after the cooking but it is harder to measure the ammount that acturally gets integrated. Once wool is added into the paste, it is harder to manipulate (mould, cut).
* 125g sodium bicarbonate
* 62g corn starch (also works with other starches)
* 88ml water
* ??ml glycerine for flexibility.
* ??g wool (short fiber)

* pots
* stove
* spatula
* scale
* molds

* Measure the ingredients (except wool) and add to a pot
* Add the liquids last and stir, use the mixer to make a paste.
* Add wool and incorporate into mixture (it helps to spray wet the wool beforehand so it's easier to integrate)
* Put on medium heat. Do not boil
* Once a sticky consistency is achieved, remove from heat.
* Mould with your hands to sculpt. Use a roller and cookie cutters for flat shapes.
* Let dry for a couple of days.

Expansion / Porosity Agents

  • Binders: starches, ???
  • Behavior: Porous, sound absorbent
  • Look: Compact with holes
  • Feel: spongey, porous
  • Considerations:
  • Applications
    • Foam alternative
    • Lightweight acoustic tiles
    • Diffusive surfaces

Design & Fabrication

once you start designing and fabricating your first tests, you can link both at the bottom of the page with footnotes


"This step of the process was important because i learnt to draft my own pattern digitally. The first tests of this can be seen here on the right, find half- or test-fabrication files here1"


Prototypes

prototypes are your first step towards shaping your final piece, product, material et cetera


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Mentoring notes

Mentors in all sessions may share with you their comments, notes, advise, projects and technical equipment to check out. This is good place to share those, so that you can find them later on when you need them the most!

Half-fabrication files

  1. Test file: 3d modelling test ↩

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