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2. Digital Body

Week 2

References & Inspiration

Trio A - Yvonne Rainer

Judith Butler, Erin Manning, and Yvonne Rainer each explore the performativity of the body and movement from distinct yet interconnected perspectives. Butler's concept of performativity emphasizes how identities, particularly gender, are constructed through repetitive acts shaped by cultural and social norms. This understanding frames the body as a political space where performances can both reinforce and subvert societal expectations.

Building on this notion of the body as an active participant in meaning-making, Erin Manning delves into the relational nature of movement. She argues that movement not only occurs within space but also creates space through interactions between bodies, objects, and the environment. For Manning, the body is a site of transition and connection, where gestures and sensory experiences foster relationships and generate new possibilities for expression.

Yvonne Rainer complements these ideas through her postmodern dance practice, which challenges traditional notions of theatricality and spectacle. By prioritizing everyday movements and "neutral" gestures, Rainer demonstrates how the body can communicate complex ideas without relying on conventional dramatism. Her work redefines the role of the body in artistic performance, aligning with Butler's and Manning's shared interest in the body as a dynamic and transformative site.

Together, these authors highlight the performative potential of the body as a medium for creating, questioning, and redefining cultural and social frameworks through movement and interaction.

Research & Ideation

For this task, I wanted to think of the body as a structure that supports the movement of bodies and generates various spaces of interaction with the environment. Through gestures, postures, and senses, bodies in motion act as points of interaction, where the kinetic not only describes physical displacement but also the flows of energy, knowledge, and affect that emerge in these interactions. Manning emphasizes how these movements and sensory experiences allow for a reconfiguration of the senses of space and identity, involving a constant adaptation and transformation of the body in motion.

Triadisches Ballett

Triadisches Ballett by Oskar Schlemmer 1922

Process and Workflow

Materials & Tools List

Software (Download & Installation)

  • [ ] MakeHuman – For creating a digital 3D human body
  • [ ] Rhino (Rhinoceros 3D) – For editing, slicing, and adapting the model
  • [ ] Slicer (e.g., Slicer for Fusion 360 or compatible tool) – For converting 3D models into 2D laser-cut files
  • [ ] Laser Cutter Control Software (e.g., RDWorks, LightBurn, etc.)

Prototyping Materials

  • [ ] MDF (2–3 mm) – For stronger test cuts and detailed modeling
  • [ ] Acrylic sheets (optional) – For translucent or clean aesthetic finishes
  • [ ] White glue or contact adhesive – For assembling parts
  • [ ] Masking tape – For temporary joins or layout tests

Measurement & Finishing Tools

  • [ ] Vernier caliper – For precise thickness and spacing measurements
  • [ ] Steel ruler – For straight edges and measurements

Step 1: Download and Install MakeHuman

  • Download MakeHuman: Go to MakeHuman's official website and download the software for your operating system.
  • Install MakeHuman: Follow the installation instructions specific to your operating system.

MakeHuman Interface

Step 2: Create Your 3D Model in MakeHuman

  • Open MakeHuman: Launch the program and start a new project.
  • Select a Base Model: Choose from the various preset human body types or start from scratch.
  • Adjust the Model: Use the sliders to modify the body shape, proportions, and other features to create your desired 3D model. You can adjust facial features, clothing, and textures at this stage.
  • Save the Model: Once you're satisfied with the model, save it in .obj or .fbx format for use in other software.

MakeHuman Model Creation

Step 3: How to Import Models from MakeHuman to Rhino

Import the Model

  1. Go to File > Import and select the .OBJ or .FBX file exported from MakeHuman.

  2. For .OBJ files:

  3. A dialog box will appear. Select "Import as mesh" to preserve the model's mesh structure.

  4. For .FBX files:

  5. Ensure the option to import textures and materials is enabled in the import settings.

Optimize the Model in Rhino

Clean up the Mesh
  • Use the ReduceMesh command to lower the polygon count if the model is too complex.
  • Run RebuildMeshNormals to fix any issues with mesh normals.

Rhino Interface

Select the Figure

To select an object in Rhino:

  1. Click on the object in the 3D view.

If you have multiple objects, you can use the following commands: - SelAll → Selects everything. - SelLast → Selects the last created object. - SelSrf → Selects only surfaces. - SelPolysrf → Selects polysurfaces.

Rhino Selection

Execute the Split Command

  • Type Split in the command bar and press Enter.
  • Select the object you want to split and press Enter.
  • Now, select the curve or surface that will serve as the cutting tool and press Enter.

Rhino Split Command

Select and Delete Unwanted Parts

  • You can click on each part individually or use the selection tool (SelLast to select the last created objects).
  • Use Wireframe view (F4) to better see the cuts if necessary.
Delete the selected objects
  • Press the Delete key on your keyboard.
  • Or use the Erase command and press Enter.

Rhino Delete Process

Activate Surface and Shadow View

  • Wireframe → Only shows object lines.
  • Shaded → Displays surfaces with base color, without reflections or textures.
  • Rendered → Applies materials, shadows, and lights.
  • Ghosted → Allows you to see through surfaces.
  • X-Ray → Similar to Ghosted, but more translucent.
  • Technical, Artistic, Pen → Stylized display modes for sketches or technical drawings.

Rhino View Modes

Export for Other Uses (Optional)

  • If you need the model in a different format, use File > Export Selected and choose the appropriate format (e.g., STL for 3D printing).

Step 4: Use Slicer to Convert the 3D Model to 2D

  • Download and Install Slicer: If you don't already have Slicer, download it from Slicer for Fusion 360 or another slicing software.

Slicer Software

  • Open Slicer: Launch the program and import your .stl file.
  • Set Up the Slicing Parameters:
  • Choose the material and thickness for your laser cutter.
  • Define the cutting path, layer height, and other relevant settings to ensure the model fits the material's requirements.
  • Generate 2D Patterns: Use Slicer's tools to create the 2D cuts. The software will slice the 3D model into flat layers that can be cut by the laser cutter.

Slicer Process

  • Export the 2D Files: Once the slices are prepared, export the 2D files as SVG or DXF files, which are commonly used for laser cutting.

Exported Files

Sometimes certain shapes may be highlighted in red — this usually means that no valid cutting areas were found. It’s related to extrusion cuts, so be careful if you’re only cutting unnecessary surfaces.

In Fusion 360, sliders marked in red often indicate a broken parametric reference in a sketch or an invalid parameter expression. To fix this, you’ll need to check the sketch for the broken parametric link or correct the invalid expression in the Parameters section.

File Export Process

Step 5: Prepare the Laser Cutter

  • Upload the 2D Files: Transfer the SVG or DXF files to the software used to control the laser cutter.
  • Set Up the Laser Cutter: Load the material you will use (e.g., wood, acrylic, etc.), and adjust the settings (power, speed) according to the material's specifications.
  • Test Cut: Before starting the full cut, perform a test cut on a scrap piece of the material to ensure everything works as expected.

Laser Cutter Setup 1

Laser Cutter Setup 2

Laser Cutter Setup 3

Step 6: Start the Laser Cutting Process

Once your test cut is successful, you can proceed to cut the entire model. Make sure to supervise the process to ensure everything goes smoothly.

Laser Cutting Result

Final Body Model


Tutorial: How to Use a Vernier Tool to Measure Spaces in Wood While Cutting

The Vernier tool (also known as a Vernier caliper) is a precise measuring instrument used for checking dimensions with high accuracy. In this guide, I will show you how I use a Vernier caliper to measure spaces in wood while cutting. This method helps me make sure that my cuts are precise and that the internal dimensions fit together perfectly before I make the cut.

Vernier Tool

Necessary Materials

  • Vernier Caliper (preferably made of stainless steel for durability and accuracy)
  • Wood to cut (it can be any type of wood depending on your project)
  • Saw (manual, table, or any type of saw you are using)
  • Measuring Tape (optional, for taking initial measurements)
  • Ruler (optional, for guiding the cuts)

Step 1: Get Familiar with the Vernier Tool

Before I start measuring, I make sure I know how to read the Vernier caliper. It has two scales:

  • Main Scale – shows the larger measurement units (mm or inches).
  • Vernier Scale – slides over the main scale and lets me read fractional units with precision.

I always check that the caliper reads zero before using it, to ensure accuracy.

Step 2: Measure the Thickness of the Wood

  1. I open the jaws of the Vernier caliper and place them around the wood’s edge.
  2. I close the jaws until they fit snugly.
  3. To read the value:
  4. I first check the main scale where the Vernier zero aligns.
  5. Then I check the Vernier scale for the fractional part.
  6. I add both values to get the exact measurement.

Example: 10 mm (main scale) + 0.2 mm (Vernier scale) = 10.2 mm.

Measuring with Vernier

Step 3: Measure the Cutting Space

When I need to cut, I measure the spaces between points to make sure the cuts align correctly.

  • I place the Vernier caliper between the two points I need.
  • I align the jaws with the reference points.
  • I read the measurement just like in Step 2.

At this stage, I specifically use the Vernier to check that the internal dimensions fit perfectly before making the cut.

Step 4: Check the Cutting Depth

If I need to confirm the depth:

  1. I use the depth-measuring extension of the Vernier.
  2. I place it inside the cut or hole until the flat part touches the bottom.
  3. I read the main and Vernier scales for the exact depth.

Step 5: Ensure Cuts are Accurate

Throughout the cutting process, I keep repeating measurements:

  • Thickness
  • Depth
  • Distances between cuts

By doing this, I make sure all my pieces are consistent and fit together as intended.

Using the Vernier caliper not only improves precision but also guarantees that the internal dimensions match before I commit to the cut.

Measurement Process

Final Tips

  • Calibration: Always check that the Vernier caliper is properly calibrated before taking measurements, especially if you've made multiple cuts.
  • Careful Handling: Treat the tool carefully to avoid damage, as a damaged Vernier caliper can affect the accuracy of measurements.
  • Precision in Cutting: While the Vernier caliper is an accurate measuring tool, remember that the saw and other cutting tools also play a role in the precision of the work.

Tutorial: How to Safely Operate and Power On a CFL CMA1080K Laser Machine

Laser Machine

Required Safety Equipment

  • Laser Safety Glasses: Suitable for the laser's wavelength (check the manual).
  • Heat-Resistant Gloves: Optional, useful when handling freshly cut materials.
  • Respiratory Protection Mask: To avoid inhaling toxic fumes when working with certain materials.
  • Fire Extinguisher: Class ABC or equivalent, placed near the work area.
  • Proper Ventilation: Extraction system or fans to remove fumes and smoke.

Safety Measures Before Use

Work Area

  • Ensure the workspace is clean and free of flammable materials.
  • Restrict access to unauthorized personnel.

Machine Inspection

  • Check for visible damage to the laser head, mirrors, or power supply.
  • Ensure the cooling system is functional.
  • Inspect cables for any signs of wear or damage.

Material Preparation

  • Confirm the material is safe for laser cutting (avoid PVC or materials that emit toxic gases).
  • Place the material flat on the workbed.

Laser Machine Setup

Initial Test

Focus Adjustment

  • Use the focusing tool (if available) to adjust the distance between the laser head and the material.

Test Cut/Engrave

  • Set up a simple file in the software (e.g., a small square or circle).
  • Adjust parameters such as speed, power, and frequency based on the material.
  • Perform a test cut in a non-critical area of the material.

Laser Testing

Shutting Down the Machine

  • Turn off the laser using the main switch or key.
  • Turn off the cooling system.
  • Turn off the fume extractor.
  • Close the software and shut down the computer if not in use.
  • Clean the workspace and store leftover materials safely.

Tools

References: - MakeHuman - Slicer - Rhino