2. Digital Body

References & Inspiration

Trio A - Yvonne Rainer

Judith Butler, Erin Manning, and Yvonne Rainer each explore the performativity of the body and movement from distinct yet interconnected perspectives. Butler's concept of performativity emphasizes how identities, particularly gender, are constructed through repetitive acts shaped by cultural and social norms. This understanding frames the body as a political space where performances can both reinforce and subvert societal expectations.

Building on this notion of the body as an active participant in meaning-making, Erin Manning delves into the relational nature of movement. She argues that movement not only occurs within space but also creates space through interactions between bodies, objects, and the environment. For Manning, the body is a site of transition and connection, where gestures and sensory experiences foster relationships and generate new possibilities for expression.

Yvonne Rainer complements these ideas through her postmodern dance practice, which challenges traditional notions of theatricality and spectacle. By prioritizing everyday movements and "neutral" gestures, Rainer demonstrates how the body can communicate complex ideas without relying on conventional dramatism. Her work redefines the role of the body in artistic performance, aligning with Butler's and Manning’s shared interest in the body as a dynamic and transformative site.

Together, these authors highlight the performative potential of the body as a medium for creating, questioning, and redefining cultural and social frameworks through movement and interaction.

Research & Ideation

For this task, I wanted to think of the body as a structure that supports the movement of bodies and generates various spaces of interaction with the environment. Through gestures, postures, and senses, bodies in motion act as points of interaction, where the kinetic not only describes physical displacement but also the flows of energy, knowledge, and affect that emerge in these interactions. Manning emphasizes how these movements and sensory experiences allow for a reconfiguration of the senses of space and identity, involving a constant adaptation and transformation of the body in motion.

Process and workflow

Step 1: Download and Install MakeHuman

• Download MakeHuman: Go to MakeHuman's official website and download the software for your operating system.
• Install MakeHuman: Follow the installation instructions specific to your operating system.

Step 2: Create Your 3D Model in MakeHuman

• Open MakeHuman: Launch the program and start a new project.
• Select a Base Model: Choose from the various preset human body types or start from scratch.
• Adjust the Model: Use the sliders to modify the body shape, proportions, and other features to create your desired 3D model. You can adjust facial features, clothing, and textures at this stage.
• Save the Model: Once you're satisfied with the model, save it in .obj or .fbx format for use in other software.

Step 3: How to Import Models from MakeHuman to Rhino

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Import the Model

1. Go to File > Import and select the .OBJ or .FBX file exported from MakeHuman.

2. For .OBJ files:

3. A dialog box will appear. Select "Import as mesh" to preserve the model’s mesh structure.

4. For .FBX files:

5. Ensure the option to import textures and materials is enabled in the import settings.

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Optimize the Model in Rhino

Clean up the Mesh

• Use the ReduceMesh command to lower the polygon count if the model is too complex.
• Run RebuildMeshNormals to fix any issues with mesh normals.

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Select the Figure

To select an object in Rhino:

1. Click on the object in the 3D view.

If you have multiple objects, you can use the following commands: - SelAll → Selects everything. - SelLast → Selects the last created object. - SelSrf → Selects only surfaces. - SelPolysrf → Selects polysurfaces.

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Execute the Split Command

• Type Split in the command bar and press Enter.
• Select the object you want to split and press Enter.
• Now, select the curve or surface that will serve as the cutting tool and press Enter.

Select and Delete Unwanted Parts

• You can click on each part individually or use the selection tool (SelLast to select the last created objects).
• Use Wireframe view (F4) to better see the cuts if necessary.

Delete the selected objects

• Press the Delete key on your keyboard.
• Or use the Erase command and press Enter.

Activate Surface and Shadow View

• Wireframe → Only shows object lines.
• Shaded → Displays surfaces with base color, without reflections or textures.
• Rendered → Applies materials, shadows, and lights.
• Ghosted → Allows you to see through surfaces.
• X-Ray → Similar to Ghosted, but more translucent.
• Technical, Artistic, Pen → Stylized display modes for sketches or technical drawings.

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Export for Other Uses (Optional)

• If you need the model in a different format, use File > Export Selected and choose the appropriate format (e.g., STL for 3D printing).

Step 4: Use Slicer to Convert the 3D Model to 2D

• Download and Install Slicer: If you don't already have Slicer, download it from Slicer for Fusion 360 or another slicing software.

• Open Slicer: Launch the program and import your .stl file.
• Set Up the Slicing Parameters:
• Choose the material and thickness for your laser cutter.
• Define the cutting path, layer height, and other relevant settings to ensure the model fits the material's requirements.
• Generate 2D Patterns: Use Slicer’s tools to create the 2D cuts. The software will slice the 3D model into flat layers that can be cut by the laser cutter.

• Export the 2D Files: Once the slices are prepared, export the 2D files as SVG or DXF files, which are commonly used for laser cutting.

Step 5: Prepare the Laser Cutter

• Upload the 2D Files: Transfer the SVG or DXF files to the software used to control the laser cutter.
• Set Up the Laser Cutter: Load the material you will use (e.g., wood, acrylic, etc.), and adjust the settings (power, speed) according to the material’s specifications.
• Test Cut: Before starting the full cut, perform a test cut on a scrap piece of the material to ensure everything works as expected.

Step 6: Start the Laser Cutting Process

• Once your test cut is successful, you can proceed to cut the entire model. Make sure to supervise the process to ensure everything goes smoothly.

Tutorial: How to Use a Vernier Tool to Measure Spaces in Wood While Cutting

The Vernier tool (also known as Vernier caliper or micrometer) is a precise measuring tool used for measuring dimensions with high accuracy. Below is a guide on how to use a Vernier caliper to measure spaces in wood while cutting, which can be helpful to ensure that your cuts are precise and meet your specifications.

Necessary Materials

• Vernier Caliper (preferably made of stainless steel for durability and accuracy)
• Wood to cut (it can be any type of wood depending on your project)
• Saw (manual, table, or any type of saw you are using)
• Measuring Tape (optional, for taking initial measurements)
• Ruler (optional, for guiding the cuts)

Step 1: Get Familiar with the Vernier Tool

Before starting to measure, it's important to understand how to read a Vernier caliper. The Vernier tool has two scales:

• Main Scale: The primary line that shows the larger measurement units (usually in millimeters or inches).
• Vernier Scale: The smaller scale that slides over the main scale. This allows you to measure fractional units of the main scale, increasing precision.
• Ensure that the caliper reads zero (with no gap between the jaws) before using it for accurate measurements.

Step 2: Measure the Thickness of the Wood

• Open the jaws of the Vernier caliper: Place the caliper jaws around the edge of the piece of wood you want to measure.
• Adjust the jaws: Close the caliper jaws until they snugly fit the edge of the wood you’re measuring.
• Read the measurement:
• Main Scale: Look at the value on the main scale where the zero of the Vernier scale aligns with the main scale. This will give you the larger measurement (e.g., 10 mm).
• Vernier Scale: Check which line on the Vernier scale aligns with one of the lines on the main scale. This value gives you the fractional part (e.g., 0.2 mm).
• Add the two values together to get the total measurement. Example: 10 mm + 0.2 mm = 10.2 mm.

Step 3: Measure the Cutting Space

• When cutting, you may need to measure the space between two specific points on the wood to ensure your cuts are accurate and aligned.
• Measure the space between the cutting points:
• Place the Vernier caliper between the two points you want to measure.
• Ensure that the jaws are properly aligned with the reference points.
• Read the measurement in the same way you did for the thickness of the wood.
• Verify the cutting spaces:
• If you’re making multiple cuts and need to maintain the same distance, measure each one with the Vernier caliper. You can use the Vernier tool to ensure the dimensions remain consistent as you continue cutting.

Step 4: Check the Cutting Depth

• If you need to verify the depth of a cut, many Vernier calipers come with a depth measuring extension.
• Measure the cutting depth:
• Extend the depth measuring part of the Vernier caliper and place it in the hole or cut you’ve made.
• Adjust it until the flat part touches the bottom of the cut.
• Read the measurement: As in previous steps, read first the main scale, then the Vernier scale to get the exact depth measurement.

Step 5: Ensure Cuts are Accurate

• Repeat measurements throughout the cutting process to ensure that the thickness, depth, and distances between cuts remain consistent. Using the Vernier caliper will help you achieve more precise cuts and ensure that your pieces fit as required.

Final Tips

• Calibration: Always check that the Vernier caliper is properly calibrated before taking measurements, especially if you’ve made multiple cuts.
• Careful Handling: Treat the tool carefully to avoid damage, as a damaged Vernier caliper can affect the accuracy of measurements.
• Precision in Cutting: While the Vernier caliper is an accurate measuring tool, remember that the saw and other cutting tools also play a role in the precision of the work.

Tutorial: How to Safely Operate and Power On a CFL CMA1080K Laser Machine

Required Safety Equipment

• Laser Safety Glasses: Suitable for the laser's wavelength (check the manual).
• Heat-Resistant Gloves: Optional, useful when handling freshly cut materials.
• Respiratory Protection Mask: To avoid inhaling toxic fumes when working with certain materials.
• Fire Extinguisher: Class ABC or equivalent, placed near the work area.
• Proper Ventilation: Extraction system or fans to remove fumes and smoke.

Safety Measures Before Use

Work Area

• Ensure the workspace is clean and free of flammable materials.
• Restrict access to unauthorized personnel.

Machine Inspection

• Check for visible damage to the laser head, mirrors, or power supply.
• Ensure the cooling system is functional.
• Inspect cables for any signs of wear or damage.

Material Preparation

• Confirm the material is safe for laser cutting (avoid PVC or materials that emit toxic gases).
• Place the material flat on the workbed.

Initial Test

Focus Adjustment

• Use the focusing tool (if available) to adjust the distance between the laser head and the material.

Test Cut/Engrave

• Set up a simple file in the software (e.g., a small square or circle).
• Adjust parameters such as speed, power, and frequency based on the material.
• Perform a test cut in a non-critical area of the material.

Shutting Down the Machine

• Turn off the laser using the main switch or key.
• Turn off the cooling system.
• Turn off the fume extractor.
• Close the software and shut down the computer if not in use.
• Clean the workspace and store leftover materials safely.

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Tools

• MakeHuman
• Slider
• Rhino