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11. Open Source Hardware - From Fibers to Fabric

Research & Ideation

describe what you see in this image

Week 11 is dedicated to group work, from initial concept to final project planning, and it resonates deeply with a philosophy that is close to my heart: open source.

After three weeks of reminding my colleagues [with my usual performance anxiety, which often pushes me to improvise, but which is actually rooted in the real biological timing of designing and ideating — ideas need to be digested too] that we needed to start thinking about what we wanted to build—given the tight schedule of Fabricademy—we finally began structuring our ideas. Time is extremely limited, so planning ahead is essential. We started by analyzing our desires and needs, creating a mind map of possible machines and tools, and discussing the distinctions between a tool, a machine, and a robot.

Tools, Machines, and Robots
  1. Tool

A tool is a direct, usually manual instrument that extends human capability.

  • Automation: None; works only with continuous human input.
  • Examples: hammer, manual stapler, scissors, engraving pen.
  • Summary: A tool is an extension of the hand or skill, without autonomous processes.

  • Machine

A machine is a mechanical or electromechanical device that can perform more complex, often repetitive processes, without constant human input.

  • Energy: Can be powered by electricity, heat, or hydraulics, converting energy into work.
  • Examples: 3D printer, blender, lathe, centrifuge.
  • Summary: A machine automates or facilitates work but follows predetermined routines, without "intelligence."

  • Robot

A robot is a machine with a degree of autonomy and responsiveness, often programmable or sensor-equipped.

  • Capabilities: Can make limited decisions, react to the environment, and adapt to variable inputs.
  • Composition: Usually combines mechanics, electronics, and software; may include AI or logic control.
  • Examples: industrial robotic arm, domestic robot, exploration robot.
  • Summary: A robot is an "intelligent" or reactive machine that can modify its behavior based on the environment or programmed rules.

Quick Overview

Type Autonomy Human Input Example
Tool None Continuous Hammer
Machine Partial Occasional Centrifuge
Robot High Minimal Robotic arm

Creativity Map by Mercedes Leon merchesico.blog

describe what you see in this image Biolab Lisbon team Brainstorming Map, illustration by Carlotta Premazzi

From this process, we narrowed down our options to four potential projects: Crystalizator, Shred Machine, Biomaterial Screenprint, and a Vibrating Plate for leveling biomaterials. We quickly discarded the projects that seemed deceptively simple but were in fact problematic. The Shred Machine, for example, posed risks of handling large amounts of metal and chemicals from commercial materials. I was particularly concerned about safety and environmental impact—microplastics and residual chemicals released in uncontrolled spaces made it unsuitable for open use.

To ensure fairness and clarity, I suggested a vote, which allowed the Crystalizator to become our course project. Given the tight timeframe and other constraints(The other team members either did not feel the need for certain elements or preferred not to use them), we made a conscious compromise: all automatic and microcontroller-based parts were removed, leaving a fully manual process. This was a very difficult compromise for me, but it also became a valuable reality check, highlighting the challenges that remain in the digital version—such as material choices for pumps, which are still under consideration, and the risk of not having enough time to build and program it. For now, only a pseudocode workflow accompanies the second manual prototype.

This week allowed us to translate ideation into a tangible, open-source concept, balancing creativity, safety, and practicality. It was a clear reminder of how collaboration, discussion, and compromise are essential in turning ideas into viable projects while staying true to the open-source ethos.


Open Source Philosophy

Remix Culture

Remix Culture_slide1 Remix Culture_slide2 Remix Culture_slide3 Remix Culture_slide4 Remix Culture_slide5 Remix Culture_slide6 Remix Culture_slide7 Remix Culture_slide8 Remix Culture_slide9


Some Slides from my lecture for Intro to VJ Workshop, VJS ANONYMOUS 2024 [LIVE VISUAL THEORY/> GLITCH&FLOWER(Carlotta Premazzi)]

Spectrum of right

Authors/Property rights Private vs Public

Major Open-Source Projects Overview
Category Project / Platform Year Notes
Software Linux Kernel 1991 Operating system kernel
GNU Project 1983 Free software ecosystem
Apache HTTP Server 1995 Web server
Mozilla Firefox 2002 Web browser
Blender 1998 3D creation suite
VLC Media Player 2001 Media playback
LibreOffice 2010 Office suite
Python 1991 Programming language
PostgreSQL 1996 Database system
MySQL 1995 Database system
WordPress 2003 CMS
OpenSCAD 2010 CAD modeling
Godot Engine 2014 Game engine
Arduino 2005 Microcontroller ecosystem
Hardware RepRap 2005 Open-source 3D printer
OpenBCI 2013 Neurotech hardware
RISC-V 2010 Open CPU architecture
Open Source Ecology 2003 DIY industrial machines
Knowledge Wikipedia 2001 Collaborative encyclopedia
Archive.org 1996 Digital library
Wikidata 2012 Structured open knowledge
Project Gutenberg 1971 Public domain books
Public Domain Review 2011 Curated public domain works
OpenStreetMap 2004 Open geographic data
Science OpenWetWare 2005 Open biological research
OpenFOAM 2004 CFD simulation tools
CERN Open Data 2014 Particle physics datasets
Human Genome Project 1990 Public genomic data
Art & Design Processing 2001 Creative coding
Pure Data 1996 Visual audio programming
TouchDesigner Community Tools Var. User-made open tools

🛠️ Open Source Hardware and Documentation

Open Source Hardware (OSH) refers to tangible objects—machines, tools, textiles, materials, furniture, electronic devices—whose designs, instructions, and knowledge are openly shared so anyone can reproduce, modify, and improve them.

The goal of OSH is to create a world where technology and materials are accessible to everyone, fostering a global culture of collaboration and innovation.

Vision and Goals

  • Accessibility and Common Good: Make technology, machines, and processes accessible to all of humanity.

  • Open Knowledge Sharing: Build a collective repository of learning that grows through contributions.

  • Collaboration and Reproducibility True collaboration is only possible when designs are fully replicable by others.

📚 Documentation as the Core of Open Source Hardware

High-quality open documentation is the central medium for collaboration. It guarantees:

Reproducibility Transparency Participation Long-term evolution of the project

It provides all the necessary information for reproducibility, and consequently, inspires people to participate and contribute to the project.

Essential Documentation Components

Open Source Hardware documentation must include all pertinent information (design, components, and instructions) to allow anyone to recreate and improve the product. Key contents are:

  • License
  • Project Overview / README
  • Assembly Instructions
  • Design files [Source Files & Export Files]
  • Bill of Materials (BOM)
  • Purchased Parts
  • Unique / Custom-made Parts
  • Source Files & Export Files
  • Software / Firmware
  • Review & Rebuild Notes
  • Additional Features
  • Safety & Risk Assessment
  • Maintenance & Repair
  • Changelog / Version History
  • Contributing Guidelines
  • References
  • Acknowledgments

🧵 From Fibers to Fabric — Open Source Textile Production

"Form Fibers to Fabric" expands the Open Source Hardware philosophy into the textile world, proposing a modular open-source hardware ecosystem capable of transforming raw or recycled material into fibers, yarns, and fabrics.

It is designed for makers, researchers, biomaterial labs, and designers who want to experiment with local production, sustainable materials, and DIY fabrication.

đź”§ The Production Stages (Open Source Workflow)

Stage Input Process Output / Result
Raw Material Natural fibers (incl. biopolymers) / Synthetic polymers / Recycled waste Harvesting, shearing, shredding, melting, dissolving. Base material for fiber formation.
Preparation Loose fibers (or polymer masses) Washing, carding (alignment), blending. Clean & aligned fibers (sliver).
Yarn Production Aligned fibers (sliver) or extruded filaments Spinning, twisting, drawing, extrusion, texturing. Yarn.
Textile Construction Yarn Weaving, Knitting, Braiding, felting, embroidery. Fabric.
Applications Fabric (N/A) Final products in: Apparel, interiors, automotive, architecture, industry, medicine.
---

Carding

Carding is a fundamental mechanical process in the Preparation stage that:

  • Function: Disentangles, cleans, and intermixes fibers to produce a continuous web or sliver suitable for subsequent processing.

  • Mechanism: It is achieved by passing the fibers between differentially moving surfaces covered with "card clothing." This action breaks up unorganized clumps and aligns the individual fibres parallel to one another.

get inspired!

Check out and research alumni pages to betetr understand how to document and get inspired

References & Inspiration

Open-source-hardware-cp-inspiration-moodboard

Open Source Hardware Inspiration Moodboard by Carlotta Premazzi

  • Crafting Fashion With Robots by Zoe Romano and Francesco Perego.zoeromano.eu
  • Sensor Knitting by Liza Stark liza-stark.com
  • Bab Loom Telar by Walter Gonzales [fabricademy slide lecture]
  • ELECTRO-SPINNING by Petra Garajova Fabricademy site
  • DIY CENTRIFUGE by Petra Garajova Fabricademy site
  • Fiber spray by Anastasia Pistofidou and Ali Yelder[fabricademy slide lecture]
  • Knit-tink by StĂ©phanie Vilayphiou gitlab.com

Crafting Fashion With Robots

Sensor Knitting — Liza Stark(2018)

Event: New York Tech Zine Fair
Author: Liza Stark (thesoftcircuiteer.net)

Key Points

  • Concept: Textiles that function as electronic sensors (“soft circuits”) by combining conductive yarns with regular textile yarns.
  • Circuits:
  • Electricity → electrons flow from positive to ground
  • Variable resistance → controls LED, motor, sound
  • Pressure or deformation → changes resistance
  • Surface area → larger area, lower resistance
  • Materials: Conductive yarns (Elitex, Karl Grimm, Bekinox, Adafruit Stainless Steel), regular textile yarns, carded roving, LED, batteries, Arduino
  • Tools: DIY loom, crochet hook, tape, HILO software (for yarn properties)
  • Process:
  • Prepare loom (cut & reroll tube)
  • Place LED and connect to battery
  • Test circuit → LED lights up
  • Cast on → wrap yarn around pins
  • Work stitches using crochet hook
  • Continue until desired length
  • Test sensor → LED varies with pull/deformation
  • Cast off → remove textile from loom
  • Arduino: Connect analog sensor to input pin, control LED or other outputs
  • Takeaways:
  • Integrate electronics directly into the textile
  • DIY, sustainable, experimental approach
  • Inspires projects like The Crystalizator, where textiles and materials physically or chemically react

Resources

  • Kobakant’s eTextile Database (kobakant.at)
  • eTextile tutorials and zines

  • Soft sensor guides

Crafting Fashion With Robots — Zoe Romano & Francesco Perego

Authors / Source: Zoe Romano & Francesco Perego (zoeromano.eu)

Key Points

  • Concept: Exploring the integration of robots in fashion creation, blending automation with textile design and craftsmanship.
  • Focus:
  • Use of robotic arms and automated tools to assist in garment making
  • Combining digital fabrication with traditional textile techniques
  • Enhancing precision and repeatability in fabric manipulation
  • Applications:
  • Robotic embroidery, sewing, and cutting
  • Hybrid workflows where designers and machines collaborate
  • Innovative garment patterns enabled by robotic capabilities
  • Takeaways:
  • Robots can become creative partners rather than just production tools
  • Enables complex geometries and textures not feasible manually
  • Inspires new approaches to interactive, wearable, or experimental fashion

Resources



The Crystalizator

OPEN SOURCE CRYSTAL-GROWTH MACHINE
[Analogic / Manual Version]

The Crystalizator illustration The Crystalizator illustration by Berrak Zeynep Okyar

GitLab Site


Inspirations

1. Project Overview / README

Project Name: The Crystalizator — Crystal-Growth Machine
Description:
The Crystalizator is an open-source device for preparing, filtering, and crystallizing saturated salt solutions directly onto fabrics or textile scaffolds. It integrates controlled heating, magnetic stirring, gravity-based filtration, and a pulley-based immersion system to create consistent, repeatable, and well-documented crystallization workflows.
The system provides a protected, stable environment where crystals can form reliably, improving upon inconsistent open-air manual methods.

Version: V1.0 (Analog Prototype)
Author(s): Carlotta Premazzi, Ndeyfatou Ceesay, Berrak Zeynep Okyar, Carolina Delgado, Carlos Roque, Guilherme Martins
Lab: Biolab, Lisbon
License: CC BY-SA


2. License

This project is released under Creative Commons Attribution-ShareAlike (CC BY-SA).

You may:
- credit the original creators
- adapt and modify
- redistribute
- release derivatives under the same license


3. Bill of Materials (BOM)

BOM
COMPONENT IMAGES LINK PRICE
Structure
Laser-cut Plywood Board (70×100 cm) board leroymerlin.pt €26,12
Components
1× Thermomagnetic stirrer with hot plate stirrer AliExpress €59,95
1× Magnetic stir-bar (5×40 mm, chosen via Stir-Bar Data Sheet) stirbar Amazon.es €14,22
1× pack Magnetic stir-bars (5 different sizes) stirbars-pack Amazon.es €13,10
2× Borosilicate glass jars (1 L) glass-jars Amazon.es €73,96
1× pack 200 filtration units filters Amazon.es €19,04
3× Dark fabric curtains (light-shielding system) fabric feiradostecidos.com €13
Chemicals
Salt / Copper sulfate copper-sulfate Amazon.es €17,25
Salt / Alum alum Amazon.es €17,18
Distilled water water Amazon.es €28,45
96% alcohol alcohol Amazon.es €5,97
Textile / Scaffold
Cotton, linen, biotextile, or other scaffolds textile
TOTAL €288,24

Structure

  • Laser-cut plywood (70Ă—100 cm)

Components

  • 1Ă— Thermomagnetic stirrer with hot plate
  • 1Ă— Magnetic stir-bar (size chosen via Stir-Bar Data Sheet)
  • 2Ă— Borosilicate glass jars (250 ml / 500 ml / 1 L / 2 L)
  • 1Ă— Removable filtration unit (filter mesh + frame)
  • 1Ă— Pulley system (mini pulley + cord + hook + textile holder)
  • 3Ă— Dark fabric curtains (light-shielding system)

Chemicals

  • Salt / Alum / Copper sulfate / other minerals
  • Distilled water

Textile / Scaffold

  • Cotton, linen, biotextile, or other scaffolds

4. Purchased Parts

  • Thermomagnetic stirrer (lab-grade or DIY portable version)
  • Borosilicate jars
  • Mini pulley + cord + hooks
  • Filter mesh (nylon, metal, or lab filter)
  • Curtain or shading fabric

5. Custom / Unique Parts

  • Laser-cut structure
  • Filter/lid solution
  • Pulley-mounted textile holder
  • Light-shading curtain system

6. Assembly Instructions

1. Build Structure

  • Laser-cut plywood frame
  • Assemble two compartments: left = Jar 1, right = Jar 2
  • Clean jars with 76% alcohol + distilled water

2. Heating & Mixing Unit (Jar 1)

  • Place thermomagnetic stirrer under Jar 1
  • Insert stir-bar
  • Fill jar with distilled water, heat, dissolve salt until saturation

3. Filtration System

  • Mount filter above Jar 2
  • Tilt Jar 1 to pour hot solution through filter

4. Textile Immersion System (Jar 2)

  • Mount pulley above Jar 2
  • Attach textile to holder
  • Lower fabric into filtered solution
  • Cover with lid + shading curtain

7. Design Files (Source Files & Export Files)

Include folder structure:

/design-files /cad /schematics /drawing /laser-cut


File Types:
- CAD source (.fusion)
- Schematics
- Drawings
- Laser-cut files: SVG / DXF


8. Software / Firmware

Analog Version

  • No software (manual operation)

Digital Version

  • Microcontroller firmware (temperature control, timed cycles, sensor logging)
  • Material-specific crystallization profiles

9. Review & Rebuild Notes

  • Verify jar sizes and frame spacing
  • Confirm filtration flow speed
  • Adjust pulley height for textile length
  • Add shading curtains for consistent crystal formation
  • For large batches: upgrade structure to acrylic panels

10. Stir-Bar Selection Data Sheet

(Based on Fisher Scientific, 2025)

Jar Volume Recommended Stir-Bar Length
250 ml 20–30 mm
500 ml 30–40 mm
1 L 40–50 mm
2 L 50–70 mm

Avoid bars that are:
- too long → scraping
- too short → weak mixing
- mismatched to plate magnet


11. Additional Features

  • Light-Shading Curtain: prevents light-induced uneven crystallization
  • Multi-Fiber Cap: allows parallel crystallization of multiple fibers

12. Safety & Risk Assessment

Hazards: hot surfaces, glass breakage, dense solutions
PPE: gloves, goggles, apron

Safe Use:
- stable surface
- ventilation
- no open flames
- never leave heating unattended

Risks: thermal burns, cuts, splashes
Disposal: dilute residues before draining; follow lab rules
Standards: general makerspace / lab safety guidelines


13. Maintenance & Repair

  • Routine: rinse jars, remove crystal buildup, clean frame
  • Replace: jars, filters, cords, supports
  • Repair: cracked jars, loose joints, misaligned pulley
  • Longevity: avoid thermal shock, store dry, keep components clean

14. Changelog / Version History

  • v1.0 — Initial release / Analog prototype
  • v1.1 — Digital prototype (in process)

15. Contributing Guidelines

For collaborators:
- Fork → modify → submit pull request
- Use templates for issues (bugs, features, questions)
- Maintain respectful, inclusive communication
- Use clear file-naming conventions
- Include photos, diagrams, and measurements in hardware documentation


16. References


17. Acknowledgments

Rafael Calado, Biolab and Fablab Lisbon


Tools

Hardware - Laser Cutter - Power supply

Software - Fusion 360 (2D / 3D modelling)

Fabrication - Sheet material for laser cutting (plywood)

Process and Workflow

Process Draft and testing process, prototiping, laser cut model, build model, demo test. Biolab Lisbon Team

Research & Ideation ↓ Sketching ↓ 3D Modelling ↓ 2D File Preparation ↓ Laser Cutting ↓ Assembly ↓ Component Integration ↓ Testing

General Workflow
  1. Hand Drawing

After brainstorming, ideas are translated into hand drawings as an exploratory design tool. This phase is intentionally open-ended and precedes any final decisions, Sketches function as a thinking process.

Hand drawing is used to: * Explore multiple formal possibilities * Test different assembly logics and joints * Understand proportions and spatial relationships

  1. Physical Maquette

Based on the most promising sketches, a physical maquette is built using cardboard boxes and pre-cut elements. This low-fidelity mock-up helps to translate abstract ideas into physical scale.

The maquette is used to:

  • Define approximate dimensions
  • Test overall volume and spatial presence
  • valuate how modules relate in three dimensions

  • 3D Modeling in Fusion 360

The selected concept is developed into a 3D model using Fusion 360.

The modeling workflow includes:

  • Creating sketches for the base modules
  • Extruding profiles to define material thickness
  • Designing slots and joints for press-fit assembly
  • Organizing components to test spatial relationships and repetition

  • 2D Montage for Laser Cutting (Plywood)

Once the 3D model is finalized, flat components are extracted and prepared for fabrication.

This step includes:

  • Projecting or exporting planar faces from the 3D model
  • Arranging the elements into a 2D cutting layout (montage)
  • Optimizing material usage and part orientation
  • Exporting the files as DXF or SVG for laser cutting

Material thickness and laser kerf tolerance are carefully considered to ensure accurate assembly.

  1. Laser Cutting

The prepared 2D files are fabricated using a laser cutter on plywood.

Before the full cut:

  • Material thickness is verified
  • Laser parameters (power, speed, frequency) are adjusted
  • A test cut is performed to validate settings
  • Once confirmed, all components are cut and organized for assembly.

  • Assemblage

The laser-cut elements are assembled manually using press-fit joints, without the use of glue or fasteners.

This phase focuses on: * Verifying joint tolerances * Evaluating structural stability

  1. Testing

The assembled structure is tested to evaluate:

  • Structural resistance
  • Visual coherence and spatial presence

Observations from this phase inform potential improvements, such as adjusting joint dimensions, material thickness, or module geometry for future iterations.

đź”§ Frame Modelling

Fusion 360 — Frame Modelling Workflow

3D Model Screenshoot 3D Model Screenshoot and Laser Cut Screenshoot

In Fusion 360, the workflow for modelling the frame of the device begins with defining the overall dimensions and structural logic of the frame based on the design requirements.

The process starts by creating accurate 2D sketches on the primary reference planes. Constraints and dimensions are applied to ensure correct alignment, proportion, and symmetry. Once the base sketches are complete, Extrude, Cut, and Fillet operations are used to build the solid geometry of the frame, including slots, mounting holes, and connection features.

The model is organized using Components and Assemblies, allowing each part of the frame to be managed independently. This structure makes later modifications easier and ensures that design changes propagate consistently throughout the model.

Export for Fabrication

Before exporting the design for fabrication, technical drawings or 2D projections are generated in Fusion 360’s Drawing workspace to verify critical dimensions.

For laser cutting, the Manufacture workspace is used to export flat profiles for each component:

  • Export format: DXF or SVG
  • All sketches are fully constrained
  • Profiles are projected correctly onto the XY plane
  • Closed vectors are checked before export

🔥 Laser cutting The Crystalizator

laser-cut-montage Laser cut montage

🔥 Laser Cutting Settings
Parameter Value
Machine Dholetec DT 1000 COâ‚‚ Laser Cutter
Control Software LightBurn
Material Plywood
Material Thickness 3 mm
Laser Power 90 % (3 mm)
Cutting Speed 35 % (3 mm)
Frequency (PPI / Hz)
Number of Passes 1 pass
Focus Height 0 mm (focused on material surface)
Air Assist ON
Lens 2" focal length
Nozzle Standard cutting nozzle
Kerf Compensation ~0.15–0.20 mm
Cutting Order Inner cuts first, outer contours last
Pre-cut Test Yes (mandatory test cuts before final cutting)

Assembling & Demo test The Crystalizator

"Quick and dirty" first The Crystalizator's Test. Wondering the Result. Biostuffers, Biolab Lisboa

Results

process result1 result2


Fabrication files


đź”— References, Tutorials & Software

References & Inspiration

  • Open Source Hardware Association (OSHWA) — definition & principles
  • Creative Commons — CC BY-SA (Attribution-ShareAlike) license
  • GNU Project / Free Software Foundation — free software philosophy
  • Linux Kernel — open-source operating system kernel
  • Arduino — open-source hardware ecosystem

  • Lawrence Lessig — remix culture / Free Culture / copyright & commons

  • Mercedes LeĂłn — Creativity mental map image + article
    https://merchesico.blog/2013/10/14/on-creativity/

  • Rachel Freire & Melissa Coleman — eTextile crystallography
    https://www.rachelfreire.com/etextile-crystallography

  • Kobakant — eTextile knowledge base
    https://www.kobakant.at/DIY/

  • Magnetic stirring & lab processes:

  • Fisher Scientific — Stir-bar selection guide
    https://www.fishersci.se/se/sv/scientific-products/featured-categories/magnetic-stirrers/stir-bar-selection-guide.html
  • Accumax Lab — How magnetic stirrers work
    https://www.accumaxlab.com/how-do-magnetic-stirrers-work-the-science-behind-them/

  • DIY magnetic stirrer references:

  • Waag / Biohack Academy — BHA_Stirrer
    https://gitlab.waag.org/biohack/BHA_Stirrer/-/tree/master
  • BioClub — BHA_Stirrer (GitHub)
    https://github.com/MicheleCacciapuoti/BHA_Stirrer
  • Instructables — DIY Magnetic Stirrer
    https://www.instructables.com/How-to-Make-a-Cheap-Portable-Magnetic-Stirrer/

  • Textile Academy / Fabricademy alumni inspiration:

  • OS Loom — Kae Nagano
    https://class.textile-academy.org/2024/kae-nagano/assignments/week10/
  • The Pattern Machine — Marion Guillaud
    https://class.textile-academy.org/2024/marion-guillaud/assignments/week10/
  • Shopbot Hack — Painting Machine — Asli Aksan
    https://class.textile-academy.org/2024/asli-aksan/assignments/week10/
  • Prusa Pegboard — Viviane Labelle
    https://class.textile-academy.org/2024/viviane-labelle/assignments/week10/
  • Final Project — Pauline Gamore
    https://class.textile-academy.org/2020/pauline.gamore/projects/1-final-project/

Software Used

  • Fusion 360 — 2D/3D modelling, parametric design, DXF/SVG export
  • Adobe Illustrator — 2D vector editing and laser-cut layout
  • Arduino IDE — firmware and microcontroller programming (when used)
  • GitLab — documentation, version control, and open-source sharing

Artistic Inspiration & Open Source Context"

Crystal Growth, Matter & Time-Based Processes

  • Kiichiro Adachi — The Crystal Incubator series
    Crystal growth as a controlled, time-based sculptural process combining chemistry, gravity, and technological environments.
    https://www.kiichiroadachi.com/

  • Isaac MontĂ© — crystal-coated garments and material experimentation
    Exploration of crystallization as a transformative process applied to textiles and fashion surfaces.
    https://www.isaacmonte.com/

  • Dior Ă— Isaac MontĂ© — Studio Oktober collaboration
    Haute couture integrating material crystallization and experimental surfaces.
    https://www.studio-oktober.com/
    https://www.dior.com/

Open Source Fashion, Robotics & Fabrication

  • Crafting Fashion With Robots — Zoe Romano & Francesco Perego
    Integration of robotics, open-source thinking, and digital fabrication in fashion practices.
    https://zoeromano.eu/2018/10/01/le-borse-in-pelle-si-fanno-con-il-robot/

  • Bab Loom / Telar — Walter Gonzales
    Open-source loom systems and experimental textile machinery.
    (Fabricademy lecture material)

  • Knit-Tink — StĂ©phanie Vilayphiou
    Hybrid knitting machines and experimental textile tools developed through open-source hardware.
    https://gitlab.com/svilayphiou/knit-tink

Biomaterials, Fibers & Experimental Textile Processes

  • Sensor Knitting — Liza Stark
    Soft circuits and sensing textiles combining conductive yarns and traditional textile techniques.
    https://www.liza-stark.com/projects/sensor-knitting.html

  • Electrospinning — Petra Garajova
    Open-source approaches to fiber generation from biomaterials using electrospinning techniques.
    https://class.textile-academy.org/2022/petra-garajova/Final-Project/06_applications/

  • DIY Centrifuge — Petra Garajova
    Open hardware for biomaterial processing and material separation.
    https://class.textile-academy.org/2022/petra-garajova/Final-Project/%7C%20X.%20-%20FABRICATION%20%7C/d._DIYCentrifuge/

  • Fiber Spray — Anastasia Pistofidou & Ali Yelder
    Alternative fiber deposition and fabrication techniques for experimental textiles.
    (Fabricademy lecture material)

Open Source, Remix Culture & Knowledge Sharing

  • Open Source Hardware Association (OSHWA) — definition & principles
    https://www.oshwa.org/definition/

  • Creative Commons — CC BY-SA License
    https://creativecommons.org/licenses/by-sa/4.0/

  • Remix Culture / Free Culture — Lawrence Lessig
    Cultural framework supporting reuse, adaptation, and collaborative creation.
    https://www.free-culture.cc/

  • GNU Project / Free Software Foundation — free software philosophy
    https://www.gnu.org/philosophy/free-sw.en.html

  • Arduino — open-source hardware ecosystem
    https://www.arduino.cc/


Lecture on November 24th, 2025, Global Instructors: Sara Diaz Rodriguez, Global Tutorial: Stephanie Vilayphiou Local Instructors: Carolina Delgado, Carlos Roque; Support: Guilherme Martins, Rafael Calado


Student checklist

  • [ ] Research and document existing fabrication methods, machines and industries, add references, tutorials and sketches of the hardware you will make
  • [ ] Document the process of designing the files for your machine/machine-hack/tool and its fabrication including the assembly process
  • [ ] Document the schematic and the software source code (if any)
  • [ ] Document the parts and how to make your tool or machine
  • [ ] Document your BOM (Bill of materials): electronics, materials, their amount, etcetera (with references of the components)
  • [ ] Upload your 3D model and CAM files (if any)
  • [ ] Design, create and document a final outcome, a sample project of your process
  • [ ] Make a small video of the machine
  • [ ] Create an interface for controling your machine (extra credit)